“The overwhelming impenetrability of it all was conveyed without a wasted impulse… Lopresti’s face became a map of memories”
-Jennifer Dunning, The New York Times
“The ability of Charlie Chaplin… making the audience laugh and cry in the same moment”
-Moni Yakim, Founder & Artistic Director, New York Pantomime Theatre, Teacher (Stella Adler, Juilliard)
“Always creative and innovative... storytelling talents as an actor and a writer”
-William J. Bratton, Former New York City Police Commissioner
“A monumental work with clear storytelling”
-Jeremy Rhizor, Artistic Director, Academy of Sacred Music, New York City
“Unexpected and remarkable complicity between two forms… different but in perfect harmony”
-Daniel de Montmollin, Brother of Taizé, Potter
“Physically and in silence… totally orchestral”
-Giorgio Senese, Director, Experimental School of Music
“Movement was able to create a living environment… so many emotions”
-Linda Gottfried, President, GraffitiWall LLC
“Profoundly moving… artistically delicate rendering of a brutal story”
-Miriam Giovanna, Founder and Director, Terre di Mezzo Publishing House, Milan
“A powerful experience… following along and watching, appalled and transfixed… very moving”
-Linda and Tom Dickey, Parishioners
“The freshest, most delightful thing I’ve seen in years”
-Jenna Lyle, Program Director, The Arts Club of Chicago
“Extremely expressive performance... movement and music were integrated”
-Alexis Silver, New York Baroque Dance Company
“If you’ve never seen mime, you NEED to see this!”
-Michael Archer, CEO, Manhattan Innovation Lab
“An amazing piece that immediately draws you in... fall in love with this story”
-Jen Beck, Comedian, New York City
“You will fall in love... get emotionally invested and root for him”
-Meryl Danzinger, Author, Sing It! A Biography of Pete Seeger
“One of a kind… music and gesture create worlds and emotions that flow through the senses"
-Sara Galassini, Interdisciplinary Performing Artist, USA / Italy
“Deeply emotional and very engaging… a unique merger of two artistic languages into a new kind of unity”
-Nico Galperti, Industrialist, Italy
“Filling the space with glorious song and suggestive images…simulacra of dreams and music made visible”
Marya Ursin, Executive Director of The Dragon’s Egg Studio, Co-Director of Mystic Paper Beasts Theatre Company