Critical Review Tony Lopresti Critical Review Tony Lopresti

“The overwhelming impenetrability of it all was conveyed without a wasted impulse… Lopresti’s face became a map of memories”

-Jennifer Dunning, The New York Times

Mr. Lopresti came closest to communicating the mime’s silent messages. He had a fine moment when, his back to the audience, he considered a painting at a museum. A tentative stroke of the neck, a slow scrath of the head. The overwhelming impenetrability of it all was conveyed without a wasted impulse. And Mr. Lopresti’s face became a map of memories with one unhurried gaze in ‘Man at the Grave.’
— Jennifer Dunning, The New York Times
Read More
Critical Review Tony Lopresti Critical Review Tony Lopresti

“Always clear, effective mime… a stroke of genius”

R. Zam, La Provincia di Sondrio

Then, it was time for the Aurora’s Challenge, based on a story by the members of the Youth Orchestra and brought to life on the stage by the... always clear, effective mime choreography of Lopresti....

And here, the choice of mime choreographer Lopresti to represent Aurora’s dreams and doubts with two ‘mini-Auroras’ who embody her inner struggles throughout the show turned out to be a stroke of genius. The two little mime-actors were endearing and accomplished performers.
— R. Zam, La Provincia di Sondrio
Read More